Open Call for Research Residencies for North-East based Artists
Residency Duration: 3 Weeks
Artists Fee: £1500 (two bursaries available)
Deadline for Applications: Monday 5th September 5:00pm (GMT)
We invite artists based in the North East of England (Tyne & Wear, Northumberland, County Durham and Teesside) to apply for a three-week research residency at ISIS Arts to take place any time up until the end of February 2017.
Like many in our country we are wondering what the impact of leaving the EU will be. We know that our place in Europe has changed and our cultural ties loosened, yet we hope to preserve as much of the spirit of collaboration and cultural cross-fertilization that has been the driving force of our continent and our union for so long. Following the initial shock we are now keen to move forward to find a new confidence in our relationship with Europe. To do this we need to understand our place and where Europe fits in to our collective future in this region.
Within this context we want to find out what artists in our region are thinking about, working on, and planning for the future. We will provide a regional artist with the space and time to research a new project or idea without the constraints of having to necessarily produce a body of work; the emphasis for this residency is on research not on finished art works.
There are two residency opportunities currently available and we are also interested in taking forward any ideas and projects to form part of our future programme. All artists will have access to ISIS Arts studio, equipment and critical support. All artists will present their work as part of an artist talk event and produce a short report upon completion of the residency.
Artists may apply individually or as part of a group (however the award per residency will not change).
More information and an application form can be found here.
Young Europeans Writing Project Online
In the weeks leading up to the 2016 EU referendum, we worked with New Writing North and artist Susannah Pickering to answer the question Should we stay or should we go? A group of 15-23 year old Cuckoo Young Writers have been exploring what Europe and the EU meant to them, from the personal (holidays, music, food) to the political.
The young writers began their journey with an introduction to the EU from Newcastle University Law School's Street Law and then had the opportunity to meet and debate with North East MEP Jude Kirton-Darling. The writers expressed their individual responses as short poems and prose pieces, which became an alternative EU referendum campaign brochure.
You can read the pieces of writing here.
The EU Referendum: Working Together is Better
The nation has decided, our votes have been cast and the UK will be leaving the European Union. The winning side has presented us with a new future. That is democracy. The losers must now make the best of it and be kind to those whose choices were not our own. Yet the choice we were handed, a choice driven by political power play, was a simple binary choice, one that had no space for nuance or subtlety. Neither side recognised the cultural dimension nor the shared heritage at the heart of EU policy making.
The remain voice in the arts was strong with 96% of the members of the Federation of Creative Industries for ‘remain’ for reasons of trade, free movement, regional support, sector specific funding and IP protection. Across the Channel Culture Action Europe called for its UK friends to continue to ‘help shape the European Project’.
Projects built on trust
Two days before the vote, ISIS Arts was in the Slovenian capital Ljubljana for a partners meeting with 20 or so cultural organisations and artists from Corners, a platform supported by a major Creative Europe grant to bring together artists and communities on the edges of Europe. Our British artists with their fellow European colleagues move freely between countries without visas or work permits – they can spend a few days or more, earn a few euros and move on to the next project. They can choose to sell their work without punitive trade tariffs and benefit from joint planning and practice across borders. Together we have all built a complex, enquiring project built on trust, mutual risk and above all a generosity of spirit.
We voted to remain because working collectively is better than working alone. Europe is better today because of this. Not only because there have been no wars between member states but because together we have made it greener and cleaner, we have invested in research, in development, in citizens rights and we have generously put in resources to share with those who need most.
Our place in Europe feels downgraded; our cultural ties loosened, our futures divergent. We hope that we can preserve as much of the spirit of collaboration and cultural cross-fertilization that has been the driving force of our continent and our union for so long.
None of us know where we will be in 12 months and what kinds of deals we can strike. But we do know what there is to lose. Will what we get be better, fairer, kinder?
As the rawness wears off we must strive to salvage what we can of what we had. So many of our cultural institutions and universities will be impacted by this and we must hold a Brexit government to account, monitoring the impact on cultural exchange and opportunities for development, and calling for replaced funding as we lose it.
This is not what we wanted, But if we are to have two years of negotiations, it is crucial that these negotiations include the arts and culture and that our voices are collectively loud and strong.
Playground Feature Launches on CORNERS Live
We are pleased to present a new feature on CORNERS Live for Playground. Playground is a growing collection of games from around Europe, and is a collaboration between artists Simon Farid (UK), Gianfranco Mirizzi (Croatia), Ricardo Spagnulo (Italy) and Miha Horvat (Slovenia). The artists have been travelling around Europe together, meeting game players and learning about their games.
The recreate these games for the audience in each city they travel to, trying to bring the gaming culture along with them as well as the game itself. Some of them you might recognize; some may be a little different. Our games can be a portrait of ourselves, something in common between generations and cultures. Can we make new connections across Europe through our shared experiences of games?
In 2017 the artists will be in Tees Valley, learning new games to add to the playground.
It’s free, it’s yours, come and play!
HIRE projectors, screens, cameras, media players and much more from us
Have a look at our latest Equipment hire list - we have new projectors, screens and media players amongst our other rental equipment.
We can offer competitive quotes and discounts for long-term and bulk hires for artists and arts organisations.
Have a butchers at what we've got on offer here.