Maia Urstad
urstad

Urstad works within a sound-and site-based art practice and her work has, in addition to being presented in established venues for visual art and music, been submitted for non-traditional public urban and rural spaces; a train station, city building facades, a busy passage, a condemned prison, a medieval park, a fortress, and a forest.  She has lately, as a part of the research residency at ISIS, doing research along the coast of Northumberland.

In many of Urstad’s work communication technology is a recurring theme, often with the use of radio as a central auditory, visual and conceptual element.

In particular, she has a fascination for different methods and technologies that are used in our recent history in order to communicate over distances - from communication between the captain and engineer of the older ships (where one stays over the deck, the other in a noisy machinery), via telegraph, Morse code and other radio communications over the ocean and great distances - to the present day innovation - the digital terrestrial network and the use of fibre optics.

She is currently investigating multi-channel FM transmissions sent to multiple radios as sound installations and performances. As part of her research residency at ISIS Arts, she has explored the surroundings of Newcastle, including and especially the Northumberland’s coast where she has, in collaboration with ISIS, done a research on broadcasting FM radio signals through multiple radios facing the North Sea; from the cliffs of Howic as well as a Burburgh beach during the twilight hour. The project is aiming to a final realisation in spring 2010.

Her sound work is integrated with specific locations. Recent practice includes outdoor and indoor sound installations and performances, using CD and cassette-radios for sound reproduction and transmission as well as building sculptural objects, commenting on the temporary nature of present technology. The sound-textures for these projects are made from found and concrete sound sources, particularly signals from radio broadcast and telecommunication.

Maia Urstad is an artist working at the intersection of audio and visual art. She graduated from The Bergen National Academy of the Arts in 1981 whilst a member of ska/new-wave group 'Program 81', releasing 4 records and touring between 1979-84.

In the 80s, her artistic medium migrated toward sound experimentation, and she has since 1987 worked with sound in various art projects, installations, site-specific concerts, theatre and films in Norway and internationally.

Her work involves integrating sound into specific locations. Recent practice includes outdoor and indoor sound installations and performances, using CD and cassette-radios for both sound transmission and as sculptural objects, commenting on the temporary nature of present technology. The sound-textures for these projects are made from found/concrete sound sources, particularly signals from radio broadcast and telecommunication. At present she is investigating multi-channel FM transmissions sent to multiple radios as sound installations and performances.

Maia Urstad curates and produces sound- related art projects and exhibitions through her company 'Maur Prosjekter', and has collaborated with a wide range of artists, curators and producers over the years. She has been awarded The Norwegian Governments working grant for artists 2008 - 2010.

She is a member of freq_out, a group sound installation curated by C.M.von Hausswolff and a founding member of Lydgalleriet(N), a sound based art gallery in Bergen, Norway.
Maia Urstad is published by Touch Music (MCPS).

Recent works (selection):
2009:
Wet-sound at Ultima Festival, Oslo, 'Disturbances' at Johannesburg Art Gallery (2008-09), Lydgalleriet – the Sound Gallery, Bergen, Visningsrommet USF Bergen
2008:
Intervall - Bergen City Hall, Article Biennial - Stavanger, Danielle Arnoud Contemporary Art Gallery, London, Happy New Ears Festival in Belgium, Ambience 08 - Sweden, Borealis festival - Bergen, Textile 07 at Kaunas National Museum-Lithuania, Rainbow Audio Transformation at Extra City in Antwerp
2007:
Larm, Kulturhuset Stockholm, Sound Bank at the Borealis Festival, Bergen, freq_out 5, Chiangmai, Thailand, freq_out 6, Kunsthalle Budapest.
2006:
Prefix Institute of Contemporary Art, Toronto, Canada, Version'06, Chicago, The Idea of North, Halifax, Canada (and Galleri F15 Norway 2005), Freq-out 4 - Sonambiente, Berlin, www.freq-out.org.
2005:
Electrohype - Malmø Konsthall, Freq-out 3 - Nuit Blanche, Paris, Landmark - Bergen Kunsthall. 2004: Borealis festival, Bergen, Ultima Oslo Contemporary Music Festival, Beta I, BIT - Teatergarasjen, Bergen.

More information on:
www.maia.no
www.freq-out.org
www.lydgalleriet.no

< back